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初心者も楽しめる能公演 とくい能 葵上を開催いたします。

とくい能「葵上」

2018年2月16日(金)19時開演(開場18:30)

前売 3000円  当日 4000円

チケット取扱い 山本能楽堂 電話予約 06-6943-9454

インターネット予約 http://noh-theater.com

会場 山本能楽堂(国登録有形文化財)

葵上 あらすじ

光源氏の正妻・葵上が物怪に取り憑かれて寝込んでいる。そこで呪術の名人である照日ノ巫女に命じて、梓の弓の音で怨霊を呼び寄せると、源氏の愛人であった六条御息所ノ生霊が破れ車に乗って現れた。御息所は源氏の愛を失った恨みを述べ、葵上の枕元に立ち寄って責め苛み、幽界に連れて帰ろうとする。ただならぬ様子に横川ノ小聖が駆け付けると、怨霊が鬼女の姿で現れ、小聖を追い返そうと激しく争うが、法力によって祈り臥せられるのだった。

プログラム

18:30 開場

19:00 解説 演目の内容や能に関することを、当日主役を演じます山本章弘が分かりやすくお話しします。

19:30 能 葵上

シテ(六条御息所の生霊) 山本章弘
ツレ(巫女) 今村哲朗
ワキ(横川小聖) 福王知登

ワキツレ(臣下) 喜多雅人

アイ(下人)善竹隆司

後見 山本博通 林本 大

地謡 杉浦豊彦 今村一夫 井戸良祐 河村浩太郎 上野朝彦 山本麗晃

笛 斉藤敦 小鼓 古田知英 大鼓 谷口正壽 太鼓 中田弘美

20時30分頃終了予定

アフタートーク

21時終了予定


2018年1月27日  11:14 AM |カテゴリー: 未分類

スラボフ・ペトコが語る日本の伝統芸能vol.4

アプリで普及する能楽 開催のお知らせ

山本能楽堂アプリを作っているスラボフ・ペトコの講座です。アプリの魅力や可能性を語ります。

日時:2018年2月15日(木)19:00~20:00

出演:スラボフ・ペトコ

入場料:1000円


2018年1月23日  12:49 PM |カテゴリー: 未分類

Model Performance for Promoting the Appeal of Osaka – FY 2017 Introducing Traditional Performing Arts

Evening of Traditional Osaka Performing Arts Vol. 3 Toyotomi Hideyoshi Hour

For over many years, Osaka has been known as the capital of performing arts.
In a 60-minute session, the event will feature the performing arts of Noh and Kyogen as well as ikebana (flower arrangement), all of which Toyotomi Hideyoshi cherished during his time.

Dates:

Wednesday, February 14, 2018 – From 19:00 to 20:00

Saturday, February 17, 2018 – From 18:00 to 19:00

Doors open 30 minutes before start of performance (Admission by queue order)

Venue: Yamamoto Noh Theater (Registered Tangible Cultural Property)

(Yamamoto Noh Theater App for Beginners and Visitors from Abroad)

Download this specialized app on your smartphone and get access to information, schedules and outlines on Noh and Kyogen performances with multilingual subtitles support in Japanese, English, Chinese and Korean. You can also find information on other traditional performing arts and more.

*To avoid disturbing other guests, please set phone to manner mode during the performance. (Yamamoto Noh Theater App QR Code)

【Programs】

◆Ikebana: Kosho Nakayama

◆Kyogen “Kuchimane”: Takashi Zenchiku and Ryuhei Zenchiku

◆Han-noh “Tamura”: Akihiro Yamamoto and others   Moderator: Nansei Kyokudo

Introduction of Programs and Performers

■Ikebana

When Hideyoshi made a visit to the Maeda Residence in Osaka, he noticed that flowers were beautifully decorated in a tatami room which expressed a feeling of hospitality. Enjoy the world of ikebana that Hideyoshi was welcomed with on his visit.

Kosho Nakayama

Kosho Nakayama concurrently holds positions as the Vice Chairman of Mishoryu Nakayama Bunpokai, Chairman of the Board of Directors for Nakayama Bunpo Kaikan Foundation, and Executive Director of Japan Ikebana Art Association. Since 1994 he has led and supervised an ikebana course for visually impaired people.

■Kyogen “Kuchimane”

Hideyoshi also took a great pleasure in performing Noh and Kyogen himself. It is said that the “Kuchimane” play was once performed by a trio comprising of Toyotomi Hideyoshi, Tokugawa Ieyasu and Maeda Toshie at the imperial palace.

Outline

A master, who buys barreled sake from an acquaintance, wishes to exchange a nice cup of sake in a cheerful company, so he orders his servant to invite some people for a drink. The servant is clueless about who exactly to call upon, but eventually finds some people to bring home. However it turns out they are already heavily drunk…

Takashi Zenchiku

Takashi Zenchiku is the eldest son and apprentice of Chuichiro Zenchiku. He is also the great-grandson of Yagoro Zenchiku, a Kyogen actor who was once designated as a “living national treasure.” Takashi Zenchiku made his debut at the age of 5 in the Kyogen play “Utsubozaru.” Along with his brother Ryuhei, they hosted the Zenchiku Brothers Kyogen Performance Event.

Ryuhei Zenchiku

Ryuhei Zenchiku is the second son and apprentice of Chuichiro Zenchiku. He made his debut at the age of 5 in the Kyogen play “Utsubozaru.”

■Han-noh “Tamura”

The performing art of Noh suffered great hardships during the Warring States Period (16 C.), but it was Hideyoshi who helped revive it. The tradition of using elegant costumes in Noh performances is said to have been established by his personal preferences. It is said that the play called “Tamura” was masterfully performed by Hideyoshi.

Outline

On a spring day, a group of monks are heading for Kiyomizu Temple. Along the way, they encounter a mysterious young boy sitting under a cherry blossom tree in full bloom. The young boy starts talking about the origin of Kiyomizu Temple. He gives suggestions on popular places to visit and eventually accompanies the monks. They all spend a wonderful time exploring the place together. However, when night falls, the group of monks enter the Tamura Hall where they notice that the boy has suddenly vanished. Then they hear a voice saying “If you wish to know my true identity, please watch where I am going.” On that night, as the monks are reading their sutras, a ghost appears before them…

Experience how the world of Noh portrays the resurrected spirit of Sakanoe Tamuramaro, a military general from the Heian Period.

Akihiro Yamamoto

Akihiro Yamamoto is a Noh actor from Kanze School, designated as a holder of important intangible cultural heritage and also serves as a Representative Director of Yamamoto Noh Theater. He made his debut at the age of 3.

(Admission Fee)

Prices: Advance Ticket is 2,500 yen and Door Ticket is 3,000 yen

(All seats are unreserved)

●For those who have made reservations, please make payments at the front desk on the day of performance.

*Note: We do not admit pre-school age children.

(For inquiries on tickets)

Check the Yamamoto Noh Theater’s website: http://noh-theater.com

TEL: 06-6943-9454 (Open on weekdays from 10:00 to 17:00, closed on weekends and holidays)

(Venue)

Yamamoto Noh Theater (1-3-6 Tokuicho, Chuo-ku, Osaka) ※Map Posting

(Access)

Subway Tanimachi Line / Subway Chuo Line, Tanimachi-4-chome Station

About 5-minute walk from Exit #4. On Tanimachi-suji Avenue go one block north and turn left at the Hotel Sun White. Keep going straight and the theater will be near to your left.

Organizer: Osaka City Government Consignee: Yamamoto Noh Theater

Purpose of “Special Performance for Promoting the Appeal of Osaka – FY 2017 Introducing Traditional Performing Arts”

In anticipation of the upcoming 2020 Tokyo Olympic and Paralympic Games, this event unlike a regular performance aims on highlighting the unique character of traditional Osaka performing arts by conducting a model (demonstrative) performance. The genuine atmosphere of Japan’s traditional performing arts can be fully appreciated and experienced by beginners as well as visitors from Japan and abroad.


2018年1月15日  2:07 PM |カテゴリー: 未分類
 
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